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These scenes of Agnesa’s abduction were played strikingly well, as faceless immigration officials moved through the darkness, broke down doors and dragged screaming children out of their homes, while the quiet roar of overhead planes suggested their eventual fate.

These moments showed the fear and uncertainty of the young girls’ lives – a human element to a complex debate – but sadly this dramatic flair was lacking in the rest of the story. In theory they shouldn't have detracted from the issues raised – many a musical has dealt with difficult subjects, from racism to gang warfare.

The action kicked off when bubbly Agnesa (Olivia Popica) was unexpectedly taken to a detention centre in the middle of the night, leading her stunned friends to start their high-profile campaign.

But here the songs were dotted infrequently throughout the hour, and sat uncomfortably next to the rest of the action.

They felt like tacked-on musical interludes, used to cue emotional responses like an episode of Glee.

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